12mo (142 x 80 mm). 191 pp. Two parts, separately titled but continuously paginated. Woodcut peacock device on title. A pretty copy; occasional light foxing to upper margins. Eighteenth-century French red morocco, sides with triple gilt fillet, smooth spine gold-tooled with green morocco lettering-piece, edges gilt over marbling, marbled endpapers..... More

Bound with: MORATO, Fulvio Pellegrino (d. 1549). Rimario de tvtte le cadentie di Dante, e Petrarca, raccolte per Pellegrino moretto Mantouano. Nouamente con la gionta ristampato. Venice: Francesco Bindoni & Maffeo Pasini, 1546 (colophon 1547). 2 vols. in one, 8vo (155 x 96 mm). BENTIVOGLIO: [1], 2-27 ff. Woodcut printer’s..... More

Small oblong 16mo (74 x 97 mm). Collation: a8 b4 A-M8. 2 parts, continuously paginated. [12] leaves, 191, [1 bl.] pp. Half-title, etched title, 93 full-page etchings. This copy includes the cancelled leaf A8, blank except for pagination and headline on the verso. Nineteenth-century red morocco with triple gilt fillet..... More

4to (212 x 154 mm). 101 ff. (of 102, lacking final blank). Gothic types. Title printed in red and black within nine-part woodcut & metalcut title border, woodcut printer’s device in red and black. Red underlining to title. 119 woodcut illustrations printed from 108 blocks. Cuts on e6r and f2r..... More

Small 8vo (141 x 96 mm). Collation: A-D8. 64 pp. (last page misnumbered “94”). Small crucifixion woodcut on title. Slight browning. 18th-century pattern paper wrappers, blue-stained edges. ***Only Edition. Campeggi's posthumously published verses in 114 stanzas in ottava rima relate in heart-rending images the siege and destruction of Jerusalem by..... More

16mo (118 x 72 mm). 256 pp. Roman type. Title woodcut of a convivial feast, woodcut initial. Tiny rust-hole in fol. E3, trifling foxing to title and second leaf. 19th-century red morocco gilt, sides panelled with triple fillet border and central gold-stamped arms of the Marquis de Coislin, spine gold-tooled..... More

8vo (143 x 95 mm). Collation: A-T8 (T8 blank). [302] pp. Text in gothic types, stage directions and lists of actors in italic. Title woodcut of a family meal, six text woodcuts of which 5 half-page and one smaller. Wormtrack in gutter of first few leaves, dampstaining to foremargins and..... More

8vo (155 x 93 mm). [30] pp., [1 blank leaf], 560 pp. Woodcut title ornament, woodcut initials. Fresh, clean copy (single wormhole in text). Contemporary vellum tooled in silver-gilt, edges gauffered and gilt'; lacking fore-edge ties, slightly rubbed, small tear to front pastedown at gutter. PROVENANCE: ownership inscription on title..... More

4to (221 x 168 mm). [8], 140, [4] pp. + 32 leaves: engraved title on f. [1]r, signed Bassano, and 16 full-page engravings, also attributed to Cesare Bassano, each printed on the recto of the first leaf of a bifolium with a letterpress list of inscriptions or epithets for each..... More

8vo (183 x 115 mm). Collation: *8 A-Z Aa-Zz Aaa-Fff8 Ggg10 hhh8 iii10 (inner bifolium of sheet Ggg misbound between iiii5 and iii6). [8 leaves], 837, [1] pp., [25] leaves. Rihel’s woodcut device on title, woodcut initials. Editor’s dedication to Count Ludwig von Oettingen (*2r-A1v). Text in Greek on versos..... More

8vo (167 x 106 mm). [236] pages (of 240, last 2 blank leaves removed). Printer’s woodcut device on title (Baudrier no. 2), full-page portrait of the author, eight different sets of four-part woodcut page borders of grotesques, including a lion’s head, fruits and scrollwork, typographic tail-piece ornaments, woodcut historiated initials..... More

12mo (129 x 76 mm.). viii, 64 pp. Half-title. Expressive woodcut vignette on title (a chamber pot and its contents). Occasional light spotting. 19th-century citron morocco, sides gilt panelled, spine gilt lettered longitudinally, turn-ins gilt, gilt edges, pair of vellum flyleaves, by Koehler, with his signature on verso of front..... More

18mo (150 x 85 mm). 205, [1 blank], [2] pp. Half-titles, two engraved titles, after Charles Eisen (Narcisse) and Moreau (Jugement), and 8 engraved plates, four in part 1 after Gabriel Jacques de St. Aubin, and four in part 2 after Moreau, most engraved by L. Duval. 2-page publisher’s catalogue..... More