Le Petit Glaneur Lirique. Paris: chez Le Fuel, [1814/1815].
24mo (binding size 103 x 65 mm). [32] leaves. Engraved title, 5 stipple-engraved plates by Duthé after F. Mossard, 6 leaves with engraved vignettes of reclining ladies or girls in empire dresses at top of each recto and verso, the rest blank for reader’s notes, fold-out letterpress calendar for 1815... More about Le Petit Glaneur Lirique
Les Etrennes à la Rose ou le Rosier d’amour. Paris: chez Janet, [1800/1801].
24mo (binding size 95 x 63 mm). Engraved title, 24 leaves text, partly engraved, paginated 13, [24], 14-24 pp.,12 plates, two calendars: traditional folding letterpress calendar with woodcut vignettes, and Republican calendar in 6 leaves. Embroidered binding of ivory silk, covers with metallic ribbom border enclosing oval cartouche of leafy... More about Les Etrennes à la Rose ou le Rosier d’amour
![La Dévotion à l’Image de la très Ste Vierge dite Notre Dame de la Delivrance. [And:] Notre...](/pictures/thumb/2805.JPG?v=1472143854)
La Dévotion à l’Image de la très Ste Vierge dite Notre Dame de la Delivrance. [And:] Notre Dame de Bonne Delivrance protectrice des Femmes Enceintes. [Both:] Paris: chez Jean, rue Jean de Beauvais no. 32 [but imprint cropped in first broadside], [ca. 1797-1800].
Two hand-colored engraved broadsheets: 1) Large broadside, trimmed to borders (482 x 389 mm.), and laid down on modern paper; showing large central figure of Our Lady of Deliverance holding in her left arm the crowned Christ Child, on an altar with maritime background, surrounded by ex-votos, flanked by eight... More about La Dévotion à l’Image de la très Ste Vierge dite Notre Dame de la Delivrance. [And:] Notre...
Les Oeuvres. Lyon: Benoist Rigaud, 1579.
16mo (118 x 72 mm). 256 pp. Roman type. Title woodcut of a convivial feast, woodcut initial. Tiny rust-hole in fol. E3, trifling foxing to title and second leaf. 19th-century red morocco gilt, sides panelled with triple fillet border and central gold-stamped arms of the Marquis de Coislin, spine gold-tooled... More about Les Oeuvres
Planeten Büchlin. Wie mann eines jeden Menschen Art Natur unnd Complexion nach dem er unter einem Planeten und Zeichen geboren ist erkennen soll Anfenglich seines Lebens biss ans ende. Frankfurt: Weigandt Han, [not before 1556].
Small 4to (183 x 128 mm). Collation: A-G4. [28] leaves. Gothic type. Title printed in red and black, large title woodcut of the wheel of fortune, thirty-two woodcut text illustrations consisting of 12 cuts of the astrological signs, 7 cuts of the planets, one zodiac man cut, and 12 small... More about Planeten Büchlin. Wie mann eines jeden Menschen Art Natur unnd Complexion nach dem er unter...
Sainte Solange, Vierge et Martyre, patronne du Berry. Chartres: chez Garnier-Allabre, [between 1805 and 1815].
Broadsheet (378 x 310 mm.) on laid paper, deckle edges. Large central stencil- colored woodcut of Saint Solange, framed by letterpress text: a three-line title in large type, narrow bands of text on either side consisting of lyrics to a song about the Saint, and a litany, with imprint at... More about Sainte Solange, Vierge et Martyre, patronne du Berry
Thirsis Minnewit. Bestaande in een verzameling der moyste en aangenaamste minne-zangen en voysen. Amsterdam: Joannes Kannewet II, [ca. 1750-1760].
2 works in 4 volumes, 12mo, bound dos-à-dos (binding size 134 x 74 x 50 mm). Thirsis Minnewit: 3 volumes: [8], 160; 164, [4]; [8], 160. Volume 1 with engraved frontispiece, all 3 letterpress titles with a woodcut vignette of men and women at a banquet, woodcut initials and tail-piece... More about Thirsis Minnewit. Bestaande in een verzameling der moyste en aangenaamste minne-zangen en voysen
Zeven Spelen van die Wercken der Bermherticheyd. In rijm ghemaeckt, en nu tot Aemstelredam opentlijck ghespeelt, Anno 1591. Amsterdam: Herman Jansz. Muller, 1591.
8vo (143 x 95 mm). Collation: A-T8 (T8 blank). [302] pp. Text in gothic types, stage directions and lists of actors in italic. Title woodcut of a family meal, six text woodcuts of which 5 half-page and one smaller. Wormtrack in gutter of first few leaves, dampstaining to foremargins and... More about Zeven Spelen van die Wercken der Bermherticheyd. In rijm ghemaeckt, en nu tot Aemstelredam...
Le Triomphe d’Apollon ou les chefs d’oeuvres de ses favoris Almanach lyrique et galant. Paris: Jubert, doreur, [for] Bailly, libraire, [1785/1786].
24mo (binding size 97 x 60 mm). Collation: A12 (text ) [B]12 (gaming tables). 12; 24 (gaming tables); 13-24 pp., but bound without A5.8 (pp. 9-10 and 15-16). Hand-colored engraved title and 9 hand-colored engravings, printed two to a bifolium, fold-out engraved calendar for 1786 wrapped around the text block... More about Le Triomphe d’Apollon ou les chefs d’oeuvres de ses favoris Almanach lyrique et galant
Les Differens Gouts et nouvelles Modes de Coeffures. Augsburg: Joh. Martin Will, [ca. 1780].
8vo (161x 95 mm). Engraved title, 23 (of 24) engraved plates of extravagant hairdos, all with caption “Coeffures d’Augsbourg” and signed “Joh. Martin Will exc. A.V.” [Augustae Vindelicorum], all except plate 15 with details highlighted in contemporary hand-coloring and grey lead. Lacking plate 14, pl. 13 cropped at fore-margin, slight..... More about Les Differens Gouts et nouvelles Modes de Coeffures
Grätzerischer Schreibkalender, auf das Jahr nach der gnadenreichen Geburt unseres Herrn und Heilandes Jesu Christi 1795. Graz: Andreas Leykam, [1794/95].
4to (206 x 155 mm). [48] pp. Pictorial woodcut title border, title and calendar printed in red and black, woodcut astrological symbols. Interleaved with 11 leaves of contemporary manuscript notes in two different hands, in brown ink and graphite, on heavier paper. Small inkstamp on title with initial G and... More about Grätzerischer Schreibkalender, auf das Jahr nach der gnadenreichen Geburt unseres Herrn und...
Estreine de Pierrot a Margot. Paris: [for] Pierre Ménier, portier de la porte Sainct Victor, 1615.
8vo (170 x 107 mm). Collation: A-D4. [32] pp. Woodcut vignettes on title and on final page, passe-partout “Fin” cartouche and initial, typographic initial and head-piece. Very worn and softened, a few finger-stains, leaves detached; disbound and unsewn. Provenance: the number 47 in early ink at foot of title; last... More about Estreine de Pierrot a Margot