Planeten Büchlin. Peter CREUTZER.
Planeten Büchlin.
Planeten Büchlin.
Planeten Büchlin.
Noncommital

Planeten Büchlin. Frankfurt: Weigandt Han, [not before 1556].

Small 4to (183 x 128 mm). Collation: A-G4. [28] leaves. Gothic type. Title printed in red and black, large title woodcut of the wheel of fortune, thirty-two woodcut text illustrations consisting of 12 cuts of the astrological signs, 7 cuts of the planets, a zodiac man, and 12 small allegorical cuts of the months; large woodcut Fraktur initial N and tailpiece ornament. Some dampstaining and softening, title soiled, tears to lower gutters in first few leaves, fol. E1 with closed tear entering text, fol. G2 with repairs to upper blank fore-corner. Contemporary German laced-case dark red dyed parchment binding with envelope flap (stiffened, a couple of abraded areas, upper endleaf torn away, stub remaining after first gathering). Provenance: inscription in Swedish dated 1597 on inner back cover, below it an old trace of a removed bookplate or inscription; Christian Hammer (1818-1905), “Bibliothek Hammer” bookplate pasted inside fore-edge flap (obscuring most of an early inscription), Catalogue de la Bibliothèque Hammer à Stockholm: Division étrangère (Stockholm, 1886-88, 9 vols.), vol. 7, no. 38811 (binding described as “couvercle de parch.”). 

An illustrated astrological handbook in its original red parchment flap binding. Peter Creutzer, who published a treatise on a comet and a few other astrological pamphlets, is identified here and on the titles of all his works as a student of Johann Lichtenberger, onetime Court astrologer of Emperor Friedrich II and author of several best-selling prophecies and astrological works.  The title promises to teach how to discover any individual’s character, and humor, and destiny, “ from the beginning of his life to the end,” based on the stars and planets present at his birth, but the preface contains a disclaimer: the author reminds his readers that “Die Sterne neigen allein, aber nötigen nicht,” i.e., rather than firm prophecies, astrologers’ predictions simply point out propensities.  Similarly familiar to modern readers of astrology manuals, though with somewhat more emphasis on favorite foods, lucky and unlucky colors, and health issues, the first part of the text describes the characteristics of those born under the twelve astrological “sun signs,” with separate paragraphs for men and women. Following a list of lucky and unlucky years, and a chart for calculating the ruling planet for any day of the year, the second section describes the spheres of influence and characteristics of the sun, moon, and five planets. 

The continued close links between popular medicine and astrology in early modern Europe are evident from the final section, containing the calendar and a brief introduction to the four complexions or humors, a paragraph on the interaction of planets and weather, and a list of the planetary influences on the various body parts, described as “useful for blood-letting” and illustrated by the astrological man woodcut. Identified under their old German names, the months each have their own suggested foods, drinks, herbal remedies, counsels for bathing (frequency and types of immersions), and blood-letting points on the body.   The unsigned calendar woodcuts, showing appropriate seasonal activities, incorporate the relevant astrological sign in a tiny cloud cartouche at top. Rosenthal attributed the cuts to Hans Sebald Beham, possibly a confusion with Hans Brosamer, who illustrated several books for Hermann Gülfferich, who specialized in popular medicine and science, and who published the two earliest known editions of the text, in 1545, and most of the editions that appeared regularly throughout the next decade. Weigand Han, son of the bookseller Georg Han, joined the family firm when his widowed mother married Gülfferich in 1540, and he ran the business from 1556 to 1561, when he and his mother sold their house and press to the printer Georg Rab. 

The present undated Han edition is almost identical to a dated edition by Han from 1556 (VD16 ZV 19013), and probably includes some of the same sheets. The title cut, a wheel of fortune with the astrological signs of the planets and their allegorical human figures, is printed from a block which appears to have been used throughout the Gülfferich-Han editions, while newer blocks were used for the other illustrations. Leandro Cantamessa Arpinati, in his online bibliography of astrology books, noted that the cuts of this edition are clearly superior to those of the previous editions: “Netto miglioramento sotto il profilo editoriale, rispetto all’uscita dell’anno precedente: le incisioni sono infatti particolarmente belle.” 

The binding is typical of German laced-case bindings of the period, “sewn on two split-strap alum-tawed transverse sewing supports, the slips laced through slots in the case-type cover which has an envelope flap extending from the right cover. The covers of these bindings often used a rather thick calf parchment without turn-ins, and they almost never have endbands.... [They] often made use of painted parchment and the [red] colour [of this binding] is the most commonly encountered in my experience, followed by green.” (Dr. Nicholas Pickwoad, private communication, with thanks).

All editions are rare. VD-16 lists one copy of the present undated edition, at the Bayerische Staatsbibliothek, and the Harry Ransom Center holds what may be a variant setting of the same edition. OCLC lists two US institutional copies with the Gülfferich 1545 imprint, at New Mexico State University and the University of Wisconsin. 

VD16 C 5822; Cantamessa Arpinati, BiblioAstrology (online) 1951. Cf. Rosenthal, Bibliotheca magica 1073 (Frankfurt: Gülfferich, 1555, note “Selten! Die Monatsbilder sind von Hans Seb. Beham...”); Houzeau & Lancaster 4839 (Frankfurt 1548); Zinner 2135 (Frankfurt: Han, 1546); Benzing Buchdrucker, 122; Thieme-Becker 5:67.

Item #2684

Price: $8,750.00