Large 4to (308 x 230 mm). [8], 360; 35 pp. Large-paper issue on heavy wove paper (papier vélin). Includes Greek printing. 61 plates of pen-and-ink lithographs with text, lithographed by Lalanne, printed by Lemercier, including one double-page plate and two chromolithographs with gold-printed captions. Occasional light foxing. presentation binding commissioned... More

Chancery half-sheet 4to (210 x 146 mm). Collation: [a-e8 d2] (without e2 blank). 25 (of 26) leaves, unfoliated. Contemporary manuscript quiring preserved on 2 leaves (a1 and d1). 27 lines. Type 1:96 (leaded to 109). Watermark: two keys (Briquet 3819). No visible pinholes. Three- and four-line initial spaces. Initials supplied... More

12mo (161 x 99 mm). [1], 56 (recte 65) ff. Woodcut title vignette (harvesting scene with lion at top), woodcut headpiece and initial. Publisher’s binding? of 18th-century French olive morocco, triple gilt fillet on sides, flat spine gold-tooled and -lettered, gilt edges (joints and extremities scuffed, spine a trifle faded).***Counterfeit... More

Royal folio (414 x 284 mm). Collation as in BMC & GW. 246 leaves, unfoliated, including first and final blanks. 51 lines and headline, double column. Gothic types 4:160 (headings and headlines), 3:110a (text). Initial spaces. Fine large opening initial supplied in pink with foliate modelling, green filigree geometric infill... More

4to (220 x 154 mm). [240] leaves, including blanks 6 and 10. Woodcut devices on title of Benigno (caduceus, Kristeller 149) and Kallierges (double-headed eagle, Kristeller 206), Kallierges’ device reprinted on final verso. Fols. 1 and A3 (opening pages of Olympia and Pythia respectively) with headings, woodcut initials, and a.... More

Oblong album (257 x 333 mm). [55] leaves of thick paper including sheets of blue, green and brown paper, on the rectos and some versos of which are carefully mounted approximately 425 cut-out illustrations from French books and periodicals, most from the 1830s and 1840s (but with 5 eighteenth-century illustrations... More